TYPOLOGICAL STAGES AND ERGOLOGICAL BASIS OF MUSICAL INSTRUMENT PERFORMANCE

Authors

  • Umida Maulenbergenovna Saburova Master of the State Conservatory of Uzbekistan
  • Madhiya Berdimuradovna Tulayeva Teacher of Navoi Specialized Culture School
  • Maftuna Komiljonovna Alimbayeva Master of the State Institute of Culture and Art of Uzbekistan

Keywords:

baroque, classicism, romanticism, impressionism, dynamics, composers , harmony.

Abstract

The typological development and ergological basis of musical instrument performance are explained practically and theoretically

References

Liberman Y. “Rabota nad fortepiannoy texnikoy”,– М., “Klassika-XXI”, 2003.

Qodirov R. “Musiqa psixologiyasi”, -T., 2005.

Milich B. “Vospitaniye uchenika- pianista”, –М., “Kifara”, 2002.

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Published

2023-01-21

How to Cite

Saburova , U. M., Tulayeva , M. B., & Alimbayeva , M. K. (2023). TYPOLOGICAL STAGES AND ERGOLOGICAL BASIS OF MUSICAL INSTRUMENT PERFORMANCE. GOLDEN BRAIN, 1(2), 113–115. Retrieved from https://researchedu.org/index.php/goldenbrain/article/view/1309

Issue

Vol. 1 No. 2 (2023): GOLDEN BRAIN

Section

Articles

License

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